The camerlegno had tried to imagine how they would receive him tonight. Joyfully? Reverently? He tried to read their eyes and saw neither emotion.
It was then the camerlegno looked at the altar and saw Robert Langdon.
131
Camerlegno Carlo Ventresca stood in the aisle of the Sistine Chapel. The cardinals were all standing near the front of the church, turned, staring at him. Robert Langdon was on the altar beside a television that was on endless loop, playing a scene the camerlegno recognized but could not imagine how it had come to be. Vittoria Vetra stood beside him, her face drawn.
The camerlegno closed his eyes for a moment, hoping the morphine was making him hallucinate and that when he opened them the scene might be different. But it was not.
They knew.
Oddly, he felt no fear. Show me the way, Father. Give me the words that I can make them see Your vision.
But the camerlegno heard no reply.
Father, We have come too far together to fail now.
Silence.
They do not understand what We have done.
The camerlegno did not know whose voice he heard in his own mind, but the message was stark.
And the truth shall set you free . . .
And so it was that Camerlegno Carlo Ventresca held his head high as he walked toward the front of the Sistine Chapel. As he moved toward the cardinals, not even the diffused light of the candles could soften the eyes boring into him. Explain yourself, the faces said. Make sense of this madness. Tell us our fears are wrong!
Truth, the camerlegno told himself. Only truth. There were too many secrets in these walls . . . one so dark it had driven him to madness. But from the madness had come the light.
“If you could give your own soul to save millions,” the camerlegno said, as he moved down the aisle, “would you?”
The faces in the chapel simply stared. No one moved. No one spoke. Beyond the walls, the joyous strains of song could be heard in the square.
The camerlegno walked toward them. “Which is the greater sin? Killing one’s enemy? Or standing idle while your true love is strangled?” They are singing in St. Peter’s Square! The camerlegno stopped for a moment and gazed up at the ceiling of the Sistine. Michelangelo’s God was staring down from the darkened vault . . . and He seemed pleased.
“I could no longer stand by,” the camerlegno said. Still, as he drew nearer, he saw no flicker of understanding in anyone’s eyes. Didn’t they see the radiant simplicity of his deeds? Didn’t they see the utter necessity!
It had been so pure.
The Illuminati. Science and Satan as one.
Resurrect the ancient fear. Then crush it.
Horror and Hope. Make them believe again.
Tonight, the power of the Illuminati had been unleashed anew . . . and with glorious consequence. The apathy had evaporated. The fear had shot out across the world like a bolt of lightning, uniting the people. And then God’s majesty had vanquished the darkness.
I could not stand idly by!
The inspiration had been God’s own-appearing like a beacon in the camerlegno’s night of agony. Oh, this faithless world! Someone must deliver them. You. If not you, who? You have been saved for a reason. Show them the old demons. Remind them of their fear. Apathy is death. Without darkness, there is no light. Without evil, there is no good. Make them choose. Dark or light. Where is the fear? Where are the heroes? If not now, when?
The camerlegno walked up the center aisle directly toward the crowd of standing cardinals. He felt like Moses as the sea of red sashes and caps parted before him, allowing him to pass. On the altar, Robert Langdon switched off the television, took Vittoria’s hand, and relinquished the altar. The fact that Robert Langdon had survived, the camerlegno knew, could only have been God’s will. God had saved Robert Langdon. The camerlegno wondered why.
The voice that broke the silence was the voice of the only woman in the Sistine Chapel. “You killed my father?”
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